Download e-book for kindle: Basic Audio - VOL 3 by Norman H. Crowhurst

By Norman H. Crowhurst

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The composition needs something to balance out the troll’s pose. COM Finishing touches: The hunter has also become lost in the shade during the previous steps; you can reposition him so he catches some of the sunlight. Make a composite of the hunter’s layers and use Liquify (Shift+Ctrl+X) to fix the pose and his stance in the snow. He needs to be appealing but not so much that he distracts from the troll. To add some narrative to the piece you can have the hunter about to draw an arrow to shoot at the charging troll.

To create distance and an atmosphere go over the trees very lightly with a soft edged brush and some of the textured brushes. This will give your painting a nice foggy atmosphere at this early stage. 03 The troll: Instead of a monster or beast I am going to paint a troll/ ogre barging, in a rage, towards the hunter (and the viewer). At this stage you might not have a clear idea what the troll is going to look like but you can make a start by sketching (on a new layer) a heavy human-like figure with exaggerated proportions.

To start your sketch, create a new layer by clicking the New Layer button in the Layers panel and fill it with a solid off-white or light-blue color. Quickly sketch out each of your ideas using the Lasso tool and textured brushes The Lasso tool is great for selecting random areas to build up the environment 61 2DARTIST MAGAZINE | Create a fantasy speed painting To quickly get a snow covered ground use a combination of my textured brushes (Forme échantillonée 4 2, Round & Bushy, and Debris 1 & 2), the Lasso tool and a soft edged brush.

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Basic Audio - VOL 3 by Norman H. Crowhurst

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