By Ryu Murakami
Almost obvious Blue is a brutal story of misplaced early life in a jap port city as regards to an American army base. Murakami?s image-intensive narrative paints a portrait of a gaggle of neighbors locked in a harmful cycle of intercourse, medications and rock?n?roll. the unconventional is all yet plotless, however the uncooked and infrequently violent prose takes us on a rollercoaster journey via truth and hallucination, highs and lows, within which the characters and their stories come vividly to lifestyles. Trapped in passivity, they achieve neither ardour nor excitement from their adventures. but out of the alienation, boredom and underlying rage and grief emerges a unusually quiet and virtually both surprising good looks. Ryu Murakami?s first novel, Almost obvious Blue gained the coveted Akutagawa literary prize and have become an fast bestseller. Representing a pointy and unsleeping turning clear of the introspective development of postwar eastern literature, it polarized critics and public alike and shortly attracted foreign awareness as a substitute view of contemporary Japan.
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A brief, smooth novel of encounters set in Tokyo through the witching hours among nighttime and sunrise, and each bit as gripping as Haruki Murakami’s masterworks The Wind-Up chicken Chronicle and Kafka at the Shore.
At its middle are sisters—Eri, a manner version drowsing her means into oblivion, and Mari, a tender pupil quickly led from solitary studying at an nameless Denny’s towards humans whose lives are notably alien to her personal: a jazz trombonist who claims they’ve met ahead of, a burly girl “love hotel” supervisor and her maid employees, and a chinese language prostitute savagely brutalized through a businessman. those “night people” are haunted through secrets and techniques and desires that draw them jointly extra powerfully than the differing conditions that would preserve them aside, and it quickly turns into transparent that Eri’s slumber—mysteriously tied to the businessman stricken by the mark of his crime—will both repair or annihilate her.
After darkish strikes from captivating drama to metaphysical hypothesis, interweaving time and house in addition to reminiscence and standpoint right into a seamless exploration of human agency—the interaction among self-expression and empathy, among the ability of remark and the scope of compassion and love. Murakami’s trademark humor, mental perception, and snatch of spirit and morality are the following distilled with a unprecedented, harmonious mastery.
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Extra resources for Almost Transparent Blue
Man, am I glad you were there," Kaoru says. " They descend the same stairway short cut they climbed on the way to the hotel. "Hey, let's stop off at a place I know—if you've got the time," Kaoru says. " "I could really use a nice cold beer. " "So have some juice or something. " T hey are seated at the counter of a small bar, the only customers. An old Ben Webster record is playing. " From the fifties. M. are lined up on a shelf. Kaoru is drinking draught beer from a tall, thin glass. In front of Mari sits a glass of Perrier with lime juice.
Now, that's not her real name. ’ ” "Sorry about that," says Korogi in the soft tones of the Kansai region around Osaka. " Korogi looks a few years older than Komugi. "Glad to meet you," says Mari. The room is windowless and stuffy and all but filled with the oversize bed and TV. Crouching on the floor in one corner is a naked woman in a bath towel. She hides her face in her hands and cries soundlessly. Bloodsoaked towels lie on the floor. The bedsheets are also bloody. A floor lamp lies where it was knocked down.
Her powerful appearance draws people's attention. " but the woman ignores her and casts anxious eyes around the restaurant. Spotting Mari, she takes long strides in her direction. When she arrives at Mari's table, she says nothing but immediately lowers herself into the seat across from Mari. For a woman so large, her movements are quick and efficient. " she asks. Mari, who has been concentrating on her book, looks up. Finding this large stranger sitting opposite her, she is startled. The woman pulls off her woollen hat.
Almost Transparent Blue by Ryu Murakami